Thursday, February 19, 2009

Draft 2 - complete!

Finished the revised draft of my mystery novel Undertow, and it's now ready for distribution to the Constant Reader Brigade for feedback and comments.

I feel good about this one. I really enjoyed working with a first-person narration, which was new to me. The intimacy of that POV is nice, though I miss the chance to jump into other characters' heads. But first-person suited that particular story best. Third-person would not have worked nearly as well. 

First-person is ideal for mysteries because the reader finds things out as the narrator does, and it can prevent the reader from seeing things the narrator doesn't and then wondering why the narrator doesn't know that Character X is a red herring and Character Y is the murderer and how can the narrator be such a doofus, anyway?

In other writing news, I'm up to 51,000 words in the work in progress (don't worry, I'll think of a title). 

Friday, February 13, 2009

Books into Celluloid: The Painted Veil

My latest book vs. movie comparison column takes on The Painted Veil

Tuesday, February 10, 2009

Review: Stanley

My review of the snake horror film Stanley is now up at Enjoy.

Focus on the manuscript

The other weekend I did a do-it-myself writer's retreat, taking the manuscript of my mystery novel Undertow and holing up in a hotel room in Solvang. Armed with red pens (for corrections) and black pens (for major revisions) and lots of coffee and Milano cookies, I went through the entire manuscript and gave it a thorough edit. Once those edits have been implemented, I'll be able to distribute the MS to my Constant Reader Brigade and get their feedback.

I highly recommend this to all writers. Especially if, like me, you have to juggle writing with day jobs, family, and other responsibilities. The benefits are numerous.

To sum up: Focus. Total focus. I cannot emphasize this enough. You don't have to worry about getting dinner on the table, about helping the kid find his Crocs or the hubby find his glasses, or about anything but your manuscript.

My advice is to go somewhere a reasonable distance from your house. However, make your destination someplace familiar, that way you won't be tempted to go exploring, and you won't have to wonder where you're getting dinner that night.

Try to avoid distractions. Leave the iPod at home. Bring your laptop, but leave the internet cable at home. If you bring books, make sure they're old favorites you've read before so you aren't getting caught up in them. 

I find that even in my downtime, I'm not worrying about any of the myriad of things I normally have to think about. I can focus on one thing: my book.

In addition to the edits on Undertow, I brought Boswell The Laptop with me and was able to get work done on the work in progress. Up to 48,000 words now (technically I passed 50,000 but I realized that a chapter needs to be narrated by a different character and so I have to redo it).

I also did a bit of book shopping. Yes, I know I'd said I wasn't going to buy anything new until the Festival of Books in April (you in the back, stop laughing). But times are tough, Solvang is one of my favorite towns, and I supported local businesses like The Book Loft  and the newly opened use book store, Valley Books. Came home with books by Stephen King, Neil Gaiman, P. G. Wodehouse, and Cormac McCarthy. Good times.

Oh, and I ate a lot of pancakes while I was at the retreat, too. Editing makes you hungry.

Tuesday, February 3, 2009

Now that's what I call writing: Tom Stoppard

Before I depart for a few days to do intensive editing on my manuscript Undertow, I'll leave you with a quote from Tom Stoppard's play Rosencrantz and Guildenstern Are Dead which, to me, sums up nicely why so much of fiction consists of bad things happening to people.

The Player: We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.

Guildenstern: Is that what people want?

The Player: It's what we do.